All Frans Hals Oil Paintings

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
 

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Frans Hals Portrait of an Elderly Lady oil on canvas


Portrait of an Elderly Lady
Portrait of an Elderly Lady
Painting ID::  1502
  1633 National Gallery of Art, Washington DC 40 3/8 x 34 3/16 in / 1.025 x .869 m
  1633 National Gallery of Art, Washington DC 40 3/8 x 34 3/16 in / 1.025 x .869 m

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Frans Hals Portrait of a Young Man with a Skull oil on canvas


Portrait of a Young Man with a Skull
Portrait of a Young Man with a Skull
Painting ID::  1503
  c1626/28 National Gallery, London
  c1626/28 National Gallery, London

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Frans Hals Young Man and Woman in an Inn oil on canvas


Young Man and Woman in an Inn
Young Man and Woman in an Inn
Painting ID::  1504
  1623 Metropolitan Museum of Art, New York
  1623 Metropolitan Museum of Art, New York

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Frans Hals Portrait of Samuel Ampzing oil on canvas


Portrait of Samuel Ampzing
Portrait of Samuel Ampzing
Painting ID::  1505
  1630
  1630

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Frans Hals Maria Pietersdochter Olycan oil on canvas


Maria Pietersdochter Olycan
Maria Pietersdochter Olycan
Painting ID::  1506
  Museum of Art, Sao Paolo
  Museum of Art, Sao Paolo

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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